Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.

This Is Not A Test is a comedy/drama directed by Christopher Angel. The film is based around a man called Carl (Hill Harper) who's living his everyday life whilst trying to cope with his fear of terrorist nuclear attacks. However, with the threat so high he soon lets loose and jeopardizes his family and friends.

This Is Not A Test is a comedy/drama directed by Christopher Angel. The film is based around a man called Carl (Hill Harper) who's living his everyday life whilst trying to cope with his fear of terrorist nuclear attacks. However, with the threat so high he soon lets loose and jeopardizes his family and friends.

A gifted writer who's the youngest editor-in-chief ever at his publishing company gets enmeshed in the life of a former copywriter desperate for a job.

A video poem that celebrates the resilience of womxn in a culture full of body politics, through a young woman's retelling of her abortion. The film travels in real time through the raw and heartfelt reactions from her circle of friends.

Heaton and Spike are the unlikeliest pair: two loners who have found each other. When Spike commits a terrible crime, Heaton decides to stand by him - an act of astonishing, almost foolhardy loyalty. There begins a chase across a vast Northern landscape of moors, rivers and dark woods, the increasingly exhausted fugitives being hunted not by the police but by a posse of farmers intent on revenge. No ordinary chase film, This Is Not a Love Song is a love story trapped inside the body of a thriller.

In the run-up to Christmas, a family completely misses the point in trying to be good. Brechtje, the mother of the family, gets cancelled by everyone, without understanding why. Her husband, Martijn, falls in love with his younger colleague, but true love can’t be denied (or so he thinks). Justus, the son-in-law, gets lost on a Don Quichotesque quest for his masculinity. While Jos, the middle child, changes the world around with her tolerance and open mindedness – until her girlfriend wants to have a threesome. And all of that happens just before their annual Christmas dinner.

Some guys have no luck; he’s got no pulse. That’s life for poor unfortunate, undead Ayumu. First, he was murdered by a serial killer. Total bummer. Then he was resurrected as a zombie by a cute little Necromancer. That seemed pretty cool until she moved into his house, refused to speak, and forced his rotting carcass to do all the cooking. After that, a magical girl in a pretty pink dress used her matching chainsaw to chop his corpse in half. Luckily, the Necromancer’s powers of resurrection trumped those of the chainsaw chick, so instead of dying (again), Ayumu became the world’s first magical girl zombie. There’s also a voluptuous vampire ninja who thinks zombie boy’s a pervert – and a hideous crayfish demon who wants to devour him. Confused? All you gotta know is this: zombies, frilly dresses, demons, and moe chainsaws. Pink. It’s the new dead.

When her father and uncles die, Jone (Josemi's daughter) decides to make a documentary about the Ibarretxe Brothers. Pioneers in the Basque audiovisual sector, creative, cheeky and always up to something, they were devoted to cinema made in Euskadi long before it was a reality. Analysing their films and talking to people who accompanied them (Stephen Fry, Echanove, Ramon Barea, Santiago Segura, José Luis Rebordinos), Jone gradually comes to realise that their cinema is nothing more than a faithful reflection of their own selves.